![]() Unlike the desktop version, which only shows icons for each tool, on the iPad you see previews showing exactly what will happen to your selected artwork. The equivalent of Illustrator’s Pathfinder panel is the Combine Shapes panel. There’s also a button that removes points and adjusts the handles of the points either side: this is a great way to smooth curves, removing unwanted bumps. When in Direct Selection mode a range of options appears in a floating panel, allowing you to cut and add points, convert smooth to corner points, and delete points. You can now move each point or its Bézier handles at will. Double-tap with the Selection tool to enter Direct Selection mode, so that individual points can be addressed. Zooming into a drawing uses the intuitive pinch gesture. Increasing the Smoothing amount will produce softer curves: I drew this outline in one fluid motion, complete with the corner point at the right hand end. The Pencil tool is the easiest way to draw paths, and recognizes corner points when you make an abrupt change in direction. It’s also used to constrain a rectangle to a square, and an ellipse to a circle, as well as for many other uses for each tool. Hold it while dragging an object to move it orthogonally tap and drag it to the side to get the Secondary Shortcut, which enables you to move a copy of the selected object. Although an Apple Pencil is a bonus, you don’t need it in order to use Illustrator on the iPad the only real benefit is that your finger tends to get in the way when moving anchor points.Īs with Photoshop, a Touch Shortcut button provides tool options. The first iPad incarnation of Illustrator, however, is a fully-fledged, powerful drawing tool that, in many ways, boasts features that are more intuitive than the desktop version. When Photoshop for iPad appeared last year, it was panned by many for its severely curtailed toolset. If it seems a little lackluster, it’s because most of the effort this year has clearly gone into… Illustrator for iPad And that, together with improved Cloud support, is the sum total of enhancements in this version. ![]() It can also snap to the ascender height or either the left or right edge, but it can’t read intermediate values – so you are unable to snap to, say, the top of the lower case letters, or in this case the top of the upper case A as it’s lower than the ascender next to it.Īs has long been the case in InDesign, you can now set text to align to the top, middle of bottom of an area text box, or to be vertically justified within it. Here, a simple horizontal rule is easily made to snap to the baseline of this text. You can now make any line or object snap to type edges without having to outline the text first. You can set the height in pixels, for instance, to match the height to a graphic, and it’s a big time saver over the previous manual manipulation method. This allows you to set the height of the capitals, the x-height or the current text frame. There’s also a new way to set text size, activated by choosing Show Font Height Options from the pop-up menu in the corner of the Character panel. It’s surprisingly faithful, and a color wheel shows pins marking all the colors used so that they can be tweaked individually. It’s a straightforward process: you choose Edit > Edit Colors > Recolor Artwork, and the artwork is immediately matched to the photograph. Illustrator is now able to recolor artwork by sampling colors from placed photographs. First, let’s get the desktop update out of the way. ![]() ![]() The really big news – the huge news – is that Adobe has now released a version of Illustrator for iPad, and it’s fantastic. The 2021 version of Adobe Illustrator brings few interesting new features, although they should prove useful. ![]()
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